Fairy Tales 2010

Wednesday, April 7, 2010

Art History in Action

As an art history major, I tend to examine everything through an art historical lens. Therefore I think it may be interesting to look at The Philosopher's Stone as a piece of art from the Romantic era. Firstly, the Romantics considered nature to be extremely spiritual. Many pieces of art from the time period layer religious symbolism into the work. It is clear from what we discussed in class today that nature is a big theme in this tale: king turns into a goat, goes out into the wild, eventually finds peace (queen follows). It is not just nature however. The king's journey can be seen as ecclesiastic. The journey allows him to go out and experience nature from an animals point of view, and this leads him to realize he lead a sinful life and he has divinely been given a second chance. The story's moral is clearly understood.

Something else that I think can be applied is the concept of "Gesamtkunstwerk" which basically means art as an experience. I think that the author chooses to densely pack the narrative with many minor narratives for this very reason, to create an intense experience for the reader which they could not otherwise have. I realize this may be a stretch but I think that the king's journey thus becomes the reader's journey and the author becomes the our fairy/guardian angel. The king and queen are given a choice at the end, and so are the readers, do you read this story and brush it off as entertainment, or do you recognize its true value and apply it to your own life?

1 comment:

  1. I can see where you're going with the concept of the tale being a Gesamtskünstwerk. Reading the tale, which is so densely layered with narratives and stories, does take you as reader on a sort of journey. Not only are you immersed in the world of King Mark, you also navigate his psychological world, his dream world, etc. In this way, the reader enters the story at many different levels, not just at the surface narrative level.

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